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Writing Report Card: December 2017

·179 words·1 min
Articles Writing Submissions Report Card Publishing
Daniel Andrlik
Author
Daniel Andrlik lives in the suburbs of Philadelphia. By day he manages product teams. The rest of the time he is a podcast host and producer, writer of speculative fiction, a rabid reader, and a programmer.

Continuing my recurring feature where I publicly post a report card of fiction writing activity each month. This series is inspired by Aeryn Rudel’s blog Rejectomancy. Each month I’ll post a report card summarizing words written, submissions, rejections, and hopefully acceptances.

Here’s the results for this month:

Words Written>

Words Written #

ProjectTypeWords WrittenNotes
DARK CONDUITNovel10,221But I also cut ~9500 words elsewhere so I only net < 100

Man, fuck 2017. Between the depressing political climate, illness, and travel, I needed weaker on writing output than I have in months.

Market Activity>

Market Activity #

TypeCountNotes
Submissions4
Rejections21 personal!
Acceptances0
Publications0

Submissions are keeping pace. While no acceptances yet, I did receive a wonderful personal rejection with excellent feedback from one of the markets. I’m going to make a point to keep more short fiction in the mix as occasional stress relief on the novel, and so I continue to practice the submissions process.

Onward to 2018. Here’s hoping we have nowhere to go but up.

Related

Writing Report Card: November 2017
·122 words·1 min
Articles Writing Submissions Report Card Publishing
Last month, I announced a new recurring feature where I’ll publicly post a report card of fiction writing activity each month. This series is inspired by Aeryn Rudel’s blog Rejectomancy. Each month I’ll post my results, summarizing words written, submissions, rejections, and hopefully acceptances.
Writing Report Card: October 2017
·246 words·2 mins
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I’ve been writing a lot more lately, shifting my work from a secret passion to more of a serious pursuit. The last few months I’ve been making steady progress on project DARK CONDUIT, and producing short stories which I’ve been submitting to fiction markets.
M. John Harrison on the next five years in SF publishing
·119 words·1 min
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I also suspect that we’ll see less fiction of all kinds. Everyone will have published their novel and discovered they aren’t going to get rich–or even noticed–by writing. The industry, especially in its middleclass form, ie traditional, paper-published litfic, saw peak remuneration in the 1990s and peak social status dividends in the first ten years of the new century.